Pesquisando por: "GOYA (FRANCISCO DE GOYA Y LUCIENTES)" - Fotoarena - Agência de fotojornalismo

20240215_zna_c181_115 February 15, 2024, Madrid, Spain: A woman looks at the work 'La Piedad' by Francisco de Goya y Lucientes, at the National Museum of Romanticism, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired 'La Piedad', dated to the early period of the Aragonese painter, for 1.5 million euros at the end of 2023. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_113 February 15, 2024, Madrid, Spain: A person photographs the work 'La Piedad' by Francisco de Goya y Lucientes, at the National Museum of Romanticism, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired 'La Piedad', dated to the early period of the Aragonese painter, for 1.5 million euros at the end of 2023. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_117 February 15, 2024, Madrid, Spain: The director of the Museo Nacional del Romanticismo, Carolina Miguel Arroyo, presents the work 'La Piedad' by Francisco de Goya y Lucientes, at the Museo Nacional del Romanticismo, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired at the end of 2023 'La Piedad', dated in the early stage of the Aragonese painter, for 1.5 million euros. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_112 February 15, 2024, Madrid, Spain: A woman looks at the work 'La Piedad' by Francisco de Goya y Lucientes, at the National Museum of Romanticism, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired 'La Piedad', dated to the early period of the Aragonese painter, for 1.5 million euros at the end of 2023. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_116 February 15, 2024, Madrid, Spain: The director of the Museo Nacional del Romanticismo, Carolina Miguel Arroyo, presents the work 'La Piedad' by Francisco de Goya y Lucientes, at the Museo Nacional del Romanticismo, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired at the end of 2023 'La Piedad', dated in the early stage of the Aragonese painter, for 1.5 million euros. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_111 February 15, 2024, Madrid, Spain: The work 'La Piedad' by Francisco de Goya y Lucientes, at the Museo Nacional del Romanticismo, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired at the end of 2023 'La Piedad', dated in the early stage of the Aragonese painter, for 1.5 million euros. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_114 February 15, 2024, Madrid, Spain: The director of the Museo Nacional del Romanticismo, Carolina Miguel Arroyo, presents the work 'La Piedad' by Francisco de Goya y Lucientes, at the Museo Nacional del Romanticismo, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired at the end of 2023 'La Piedad', dated in the early stage of the Aragonese painter, for 1.5 million euros. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_109 February 15, 2024, Madrid, Spain: The work 'La Piedad' by Francisco de Goya y Lucientes, at the Museo Nacional del Romanticismo, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired at the end of 2023 'La Piedad', dated in the early stage of the Aragonese painter, for 1.5 million euros. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_110 February 15, 2024, Madrid, Spain: The work 'La Piedad' by Francisco de Goya y Lucientes, at the Museo Nacional del Romanticismo, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired at the end of 2023 'La Piedad', dated in the early stage of the Aragonese painter, for 1.5 million euros. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240215_zna_c181_108 February 15, 2024, Madrid, Spain: The work 'La Piedad' by Francisco de Goya y Lucientes, at the Museo Nacional del Romanticismo, on February 15, 2024, in Madrid (Spain). The Ministry of Culture acquired at the end of 2023 'La Piedad', dated in the early stage of the Aragonese painter, for 1.5 million euros. The work will be added to the permanent collection of the National Museum of Romanticism. The painting, unpublished until recently, provides a better understanding of the artist's religious painting. It measures 83.5 x 58 centimeters and preserves its original canvas and stretcher...FEBRUARY 15;2024..Carlos Luján / Europa Press..02/15/2024 (Credit Image: © Carlos LujáN/Contacto/Zuma Press/Fotoarena)

20240112_zaf_a110_002 January 12, 2024, Rome, Italy: The Parasol of Francisco José de Goya y Lucientes (L) and The Fortune Teller of Caravaggio (R) are seen during a press preview of the exhibition project ''Goya and Caravaggio: Truth and Rebellion'' at the Capitoline Museums, in Rome, Italy, 12 January 2024. ANSA/FABIO FRUSTACI (Credit Image: © ANSA/Zuma Press/Fotoarena)

20240112_zaf_a110_003 January 12, 2024, Rome, Italy: The Parasol of Francisco José de Goya y Lucientes (L) and The Fortune Teller of Caravaggio (R) are seen during a press preview of the exhibition project ''Goya and Caravaggio: Truth and Rebellion'' at the Capitoline Museums, in Rome, Italy, 12 January 2024. ANSA/FABIO FRUSTACI (Credit Image: © ANSA/Zuma Press/Fotoarena)

49453985 RUSSIA, MOSCOW - NOVEMBER 7, 2023: People are seen by Portrait of Dona Antonia Zarate (1810-1811) by Spanish artist Francisco Jose de Goya y Lucientes during a press preview of an exhibition titled "Spanish Collection. From Collections of Russian Museums" at the Pushkin State Museum of Fine Arts. The exhibition organized jointly with the State Hermitage Museum, features more than 50 works by Spanish artists of the 16th-19th centuries. Valery Sharifulin/TASS/Sipa USA

908_06_lehd11390 Jose Antonio, Marques de Caballero

alb3651836 Exotic Flower. Artist: Édouard Manet (French, Paris 1832-1883 Paris); In the manner of Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Author: For a sonnet by Armand Renaud (French). Dimensions: 6 13/16 x 4 1/2in. (17.3 x 11.4cm)Sheet: 10 15/16 x 7 15/16in. (27.8 x 20.2cm). Publisher: For a publication by Philippe Burty (French, Paris 1830-1890 Astaffort). Date: 1868. Museum: Metropolitan Museum of Art, New York, USA.

alb4156527 Francisco de Goya (Fuendetodos, 1746-Bordeaux, 1828). Portrait of Asensio Julià (ca. 1798). Oil on canvas. 54.5 x 41 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156529 Francisco de Goya (Fuendetodos, 1746-Bordeaux, 1828). El tío Paquete (ca. 1819 - 1820). Oil on canvas. 39 x 31 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156528 Francisco de Goya (Fuendetodos, 1746-Bordeaux, 1828). Portrait of Ferdinand VII (ca. 1814 - 1815). Oil on canvas. 84 x 63.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4142297 Pretty Teachings, plate 15 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 181 x 125 mm (image); 218 x 152 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb4142366 They Spruce Themselves Up, plate 51 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 181 x 127 mm (image); 210 x 148 mm (plate); 301 x 207 mm (sheet). Etching and aquatint in sepia on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb2069866 Francisco de Goya y Lucientes / ''Chicken Fights' ('Horse and Rider')', 1791-1792, Spanish School, Oil on canvas, 137 cm x 104 cm, P07112. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068561 Francisco de Goya y Lucientes / 'The Third of May 1808 in Madrid: The Executions on Principe Pio Hill', 1814, Spanish School, Oil on canvas, 268 cm x 347 cm, P00749. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069581 Francisco de Goya y Lucientes / 'The Parasol', 1777, Spanish School, Oil on canvas, 104 cm x 152 cm, P00773. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069951 Francisco de Goya y Lucientes / 'The Wedding', 1792, Spanish School, Oil on canvas, 269 cm x 396 cm, P00799. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069798 Francisco de Goya y Lucientes / 'The Blind Guitarrist', 1778, Spanish School, Oil on canvas, 260 cm x 311 cm, P00778. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069795 Francisco de Goya y Lucientes / 'The Flower Girls, or Spring', 1786, Spanish School, Oil on canvas, 277 cm x 192 cm, P00793. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070526 Francisco de Goya y Lucientes / 'The Grape Harvest, or Autumn', 1786, Spanish School, Oil on canvas, 267,5 cm x 190,5 cm, P00795. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070682 Francisco de Goya y Lucientes / 'Blind Man's Buff', 1787, Spanish School, Oil on canvas, 269 cm x 350 cm, P00804. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3639907 Plate 14 from "The Disasters of War' (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 9/16 × 6 9/16 in. (14.1 × 16.7 cm)Sheet: 9 15/16 × 13 1/2 in. (25.3 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3899699 Retrato del poeta Moratín. Date/Period: 1824. Painting. Oil on canvas. Height: 60 cm (23.6 in); Width: 49.5 cm (19.4 in). Author: FRANCISCO DE GOYA.

alb3654884 Plate 9 from the 'Disparates':General folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 x 14 in. (24.5 x 35.5 cm)Sheet: 13 3/16 x 18 7/8 in. (33.5 x 48 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3649609 Plate 14 from the 'Disparates': Carnival Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 13 1/16 × 18 5/8 in. (33.2 × 47.3 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3788246 Francisco de Goya y Lucientes / 'Here comes the bogey-man.'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3788053 Francisco de Goya y Lucientes / 'Rabble (Disasters of War, 28)'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3787983 Francisco de Goya y Lucientes / 'Hapless Mother!'. 1812 - 1814. Etching, Aquatint, Burnisher, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3790428 Francisco de Goya y Lucientes / 'What madness!'. 1814 - 1815. Wash, Etching, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3790634 Francisco de Goya y Lucientes / 'Cruel tale of woe'. 1812 - 1814. Etching, Burnisher, Burin, Wash on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3790656 Francisco de Goya y Lucientes / 'The Sleep of Reason Produces Monsters'. 1797 - 1799. Etching, Aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb4146757 They Don't Like it, plate nine from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1815. Dimensions: 140 x 196 mm (image); 153 x 206 mm (plate); 240 x 339 mm (sheet). Etching, burnished aquatint, and drypoint on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb3639656 Plate 12 from the 'Tauromaquia': The crowd hamstrings the bull with lances, sickles, banderillas and other arms. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 x 13 3/4 in. (25 x 35 cm)Sheet: 9 3/4 × 17 5/16 in. (24.8 × 44 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3899706 Self-Portrait with Dr. Arrieta. Date/Period: 1820. Painting. Oil on canvas. Width: 30.125 in. Height: 45.125 in (canvas). Author: FRANCISCO DE GOYA.

alb4152977 The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 202 x 309 mm (image); 245 x 352 mm (plate); 322 x 444 mm (sheet). Etching, burnished aquatint and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb3665901 Aesop (Aesopus), from Etchings after Velazquez. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 11 5/8 × 8 7/16 in. (29.5 × 21.5 cm)Sheet: 16 1/8 × 11 5/16 in. (41 × 28.7 cm). Series/Portfolio: Etchings after Velazquez. Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

orz130131 The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid, plate 28 of 'The Art of Bullfighting' - 1816 - 25,5x35,6 cm - etching, aquatint and burin. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz083447 JOSE MOÑINO Y REDONDO - CONDE DE FLORIDABLANCA-DETALLE DE LA CARTA CON LA FIRMA DE GOYA - 1783 - CONJUNTO Nº 374. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808).

orz083449 DETALLE DE UN PERSONAJE NO IDENTIFICADO - JOSE MOÑINO Y REDONDO - CONDE DE FLORIDABLANCA - SIGLO XVIII - CONJUNTO Nº 374. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808).

orz083446 DETALLE DE LA MANO CON IMPERTINENTES DE DON JOSE MOÑINO Y REDONDO - CONDE DE FLORIDABLANCA - 1783 - O/L - 262x166 CM - CONJUNTO 374. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808). CONDE DE FLORIDABLANCA (1728-1808).

orz083444 DETALLE - JOSE MOÑINO Y REDONDO-CDE FLORIDABLANCA - 1783 - L 200x166 CM (CONJ Nº374)-SECRETARIO DE ESTADO. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808). CONDE DE FLORIDABLANCA (1728-1808).

orz003332 Spanish school. José Moñino y Redondo, Count of Floridablanca. José Moñino y Redondo, Conde de Floridablanca. Madrid, Bank of Spain - Art Collection. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN. JOSE MOÑINO Y REDONDO (1728-1808). CONDE DE FLORIDABLANCA (1728-1808).

orz000752 CONDE DE FLORIDABLANCA- DETALLE 1728/1808. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: FUNDACION SANTANDER CENTRAL HISPANO. MADRID. SPAIN. CONDE DE FLORIDABLANCA (1728-1808).

orz129634 Jose Monino and Redondo (1728-1808) - Count of Floridablanca - First Secretary of State. Don Jose Monino y Redondo - Conde de Floridablanca - Primer secretario de Estado. Madrid, Prado museum. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

akg6155696 France, Paris, musée du Louvre, Francisco José de Goya y Lucientes, 1746-1828, Portrait d'homme, dit autrefois Portrait de Don Evaristo Pérez de Castro, 1805-1810, huile sur toile.

akg6155445 France, Paris, musée du Louvre, Francisco de Goya y Lucientes, 1746-1828, portrait de la comtesse del Carpio, marquise de la Solana, née Maria Rita Barrenechea, 1757,1795, huile sur toile.

alb9907398 Gaspar Melchor de Jovellanos (1744-1811). Spanish neoclassical statesman, author and philosopher. Portrait of Jovellanos by Francisco de Goya y Lucientes (1746-1828), 1798. Detail. Oil on canvas (205 x 133 cm). Prado Museum. Madrid. Spain. Author: Francisco de Goya y Lucientes (1746-1828). Spanish painter.

alb9907414 Gaspar Melchor de Jovellanos (1744-1811). Spanish neoclassical statesman, author and philosopher. Portrait of Jovellanos by Francisco de Goya y Lucientes (1746-1828), 1798. Detail. Oil on canvas (205 x 133 cm). Prado Museum. Madrid. Spain. Author: Francisco de Goya y Lucientes (1746-1828). Spanish painter.

alb2068094 Francisco de Goya y Lucientes / 'Self-Portrait', 1815, Spanish School, Oil on canvas, 45,8 cm x 35,6 cm, P00723. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069793 Francisco de Goya y Lucientes / 'Infante Carlos, Count of Molina', 1800, Spanish School, Oil on canvas, 74 cm x 60 cm, P00731. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069563 Francisco de Goya y Lucientes / 'Fernando VII at camp', ca. 1815, Spanish School, Oil on canvas, 207 cm x 140 cm, P00724. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3492982 A 'Maja' standing against a dark background (Maja), Etching, aquatint and burnishing, printed in black ink, with platetone, Plate: 7 3/8 × 4 7/8 in. (18.8 × 12.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3525661 Josefa de Castilla Portugal y van Asbrock de Garcini (1775about 1850), 1804, Oil on canvas, 41 x 32 3/8 in. (104.1 x 82.2 cm), Paintings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux), In this pendant to the portrait of her husband, Ignacio Garcini y Queralt, Doña Garcini is evidently pregnant, which may account for the informality of her hair and dress. Her Rubensian features and coloring, invariably noted by critics, have only recently been explained: Josefa's mother, whose name was Van Asbrock, was of Flemish descent.

alb4157358 GOYA, FRANCISCO DE PINTOR ESPAÑOL. FUENTETODOS 1746-1828 ASALTO A UNA DILIGENCIA, OLEO COLECCION PARTICULAR. MADRID. Author: FRANCISCIO DE GOYA Y LUCIENTES (1746-1828).

alb4157320 CARLOS IV REY DE ESPAÑA . 1748 - 1819 OLEO DE FRANCISCO DE GOYA COLECCION TABACALERA . MADRID.

alb3631509 Manuel Osorio Manrique de Zuñiga (1784-1792). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1787-88.The sitter is the son of the Count and Countess of Altamira. Outfitted in a splendid red costume, he is shown playing with a pet magpie (which holds the painter's calling card in its beak), a cage full of finches, and three wide-eyed cats. In Christian art birds frequently symbolize the soul, and in Baroque art caged birds are symbolic of innocence. Goya may have intended this portrait as an illustration of the frail boundaries that separate the child's world from the forces of evil or as a commentary on the fleeting nature of innocence and youth. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3675545 Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm)11 in. × 15 3/16 in. (28 × 38.5 cm). Series/Portfolio: La Tauromaquia. Date: 1816.16.4.2 ; 16.4.3; 16.4.4; are all on paper with No. 1 watermark.Under microscopic examination it is clear that the lines and aquatintare finer than in the impressions from the MMA complete set (21.19.1-33) printed on paper that appears to be uniformly Serra make, even when the watermark is not present. Museum: Metropolitan Museum of Art, New York, USA.

alb3676796 Don Bernardo de Iriarte (1735-1814). Artist: Copy after Goya (Spanish, 1797 or later). Dimensions: 42 1/2 x 33 1/2 in. (108 x 85.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3603132 Tiburcio Pérez y Cuervo (1785/86-1841), the Architect. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 40 1/4 x 32 in. (102.2 x 81.3 cm). Date: 1820.After recovering from a serious illness in 1819-20, Goya painted this portrait of one of his close friends. The sitter was an architect, and responsible for the design of the medical school on the Calle de Atocha in Madrid. He was elected to the Academy of Fine Arts of San Fernando in 1818. This is perhaps one of the most engaging of Goya's male portraits. Pérez's rolled-up sleeves and slight smile suggest a directness and warmth that are rare in the artist's oeuvre. Museum: Metropolitan Museum of Art, New York, USA.

orz185261 (MONUMENTO A GOYA) - SIGLO XX. Author: CRISTOBAL TORAL RUIZ 1940. Location: PRIVATE COLLECTION. FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

alb3536767 Plate 34 from 'The Disasters of War' (Los Desastres de La Guerra):'On account of a knife' (Por una navaja.), 1810 (published 1863), Etching, drypoint, burin and burnisher, Plate: 6 1/8 × 8 1/16 in. (15.5 × 20.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3493902 Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub'' (Qué alboroto es este?), after 181415 (published 1863), Etching, burnished aquatint and/or lavis, burin and burnisher, Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3492290 Plate 54 from 'The Disasters of War' (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), 181112 (published 1863), Etching, lavis, burin, and burnisher, Plate: 6 in. × 8 1/16 in. (15.2 × 20.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3496294 Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.), 1810 (published 1863), Etching, aquatint or lavis, drypoint and burin, Plate: 6 7/16 × 8 9/16 in. (16.3 × 21.8 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3490059 Plate 52 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not arrive in time.'(No llegan á tiempo.), 181112 (published 1863), Etching, lavis, drypoint and burin, Plate: 6 1/16 × 8 1/16 in. (15.4 × 20.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3493421 Los Disparates (Los Proverbios), ca. 181623 (published 1864), Etching, Sheet: 13 1/8 × 18 7/8 in. (33.3 × 48 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux), From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.

alb3491871 The Disasters of War (Los Desastres de la Guerra), title page, 181020, published 1863, Etching, aquatint, lavis, drypoint, burin, and burnishing, Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3495952 Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra):'He gets something out of It (Algun partido saca), 1810 (published 1863), Etching, drypoint and burin , Plate: 6 7/8 × 8 7/16 in. (17.4 × 21.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3490127 Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.'' (Que se rompe la cuerda.), after 181415 (published 1863), Etching, burnished aquatint or lavis, drypoint and burnisher, Plate: 6 3/4 × 8 11/16 in. (17.2 × 22 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3494656 Plate 48 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cruel tale of woe!'(Cruel Lástima!), 181112 (published 1863), Etching, burnished lavis, burin and burnisher, Plate: 6 in. × 8 1/16 in. (15.3 × 20.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3522846 At the Count Palatine's (Al Conde Palatino), Study for Capricho, plate 33, 179697, Brush and gray wash(indian ink) on laid Netherlandish paper, 9-1/4 x 5-3/4 in. (23.5 x 14.6 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3488099 Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' They can still be of use.' (Aun podrán servir), 1810, Etching before burnisher, Plate: 6 5/16 × 10 1/16 in. (16.1 × 25.6 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3489065 Plate B from the 'Disparates':Punctual Folly, ca. 181623 (published before 1877), Etching, aquatint, and drypoint (?), Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux), One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',.

alb3455179 A Woman Kneeling before an Old Man, Images of Spain Album, 55, ca. 181220, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

alb3455082 Revenge Upon a Constable, from Images of Spain Album (F), 86, 181220, Brush and brown wash on laid paper, 8-1/16 x 5-11/16 in. (20.5 x 14.4 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 17461828 Bordeaux).

orz011753 PARQUE DEL OESTE - MONUMENTO A GOYA - 1932 - FOT OAÑOS 60. Author: JUAN CRISTOBAL (1897-1961). Location: PARQUE DEL OESTE. MADRID. SPAIN. FRANCISCO GOYA Y LUCIENTES DE (1746-1828).

alb2637174 It's a Pity You Don't Have Something Else to Do!; Francisco José de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1808 - 1814; Brush and sepia wash and pen and black ink; 20.3 x 14 cm (8 x 5 1/2 in.).

alb3176346 La maja y los embozados (El Paseo de Andalucia),1.777. Museum: REAL MONASTERIO DE EL ESCORIAL, ESPAÑA. Author: FRANCISCO DE GOYA.

alb3108452 La última comunión de San José de Calasanz (boceto)/ 1819. Museum: MUSEE BONNAT BAYONNE FRANCIA. Author: FRANCISCO DE GOYA.

orz131835 "PASE DE CAPA-LA CAPEA"-1793-43x31cm- OIL ON TIN. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

orz089346 LOS DISPARATES O LOS PROVERBIOS (1815-1823) - DIBUJO PREPARATORIO PARA EL DISPARATE 12 - DISPARATE ALEGRE. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

orz089392 TAUROMAQUIA 13 - UN CABALLERO ESPAÑOL EN PLAZA QUEBRANDO REJONCILLOS SIN AUXILIO DE LOS CHULOS- 1815-1816 - DIBUJO PREPARATORIO. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

orz089243 TAUROMAQUIA 16 - EL MISMO VUELCA UN TORO EN LA PLAZA DE MADRID 1815-1816 - AGUAFUERTE, AGUATINTA BRUÑIDA PUNTA SECA Y BURIL - 357x250 mm. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. MARTINCHO BASSON FRANCISCO. BASSON FRANCISCO ANTONIO.

orz089248 Drawing for The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of 'The Art of Bullfighting' - 19th century. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. APIÑANI JUANITO.

orz089240 DIBUJO PREPARATORIO - TAUROMAQUIA 14 - EL DIESTRISIMO ESTUDIANTE DE FALCES, EMBOZADO BURLA AL TORO CON SUS QUIEBROS - 1815-1816. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

orz198697 ASUNCION DE LA VIRGEN - SIGLO XIX - FOTOGRAFIA EN BLANCO Y NEGRO. Author: FRANCISCO DE GOYA. Location: IGLESIA DE LA ASUNCION. Chinchón. MADRID. SPAIN.

orz000501 'Stilts', 1791-1792, Spanish School, Oil on canvas, 268 cm x 320 cm, P00801. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

orz000762 'The Pottery Vendor', 1778, Spanish School, Oil on canvas, 259 cm x 220 cm, P00780. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

orz186607 FRAY JUAN FERNANDEZ DE ROJAS - 1800-1815 - O/L - 75x54 - DETALLE DEL ROSTRO. Author: FRANCISCO DE GOYA. Location: ACADEMIA DE LA HISTORIA-COLECCION. MADRID. SPAIN.

orz128674 DIBUJO PREARATORIO - LA SEGURIDAD DE UN REO NO EXIGE TORMENTO - SIGLO XIX. Author: FRANCISCO DE GOYA. Location: MUSEUM OF FINE ARTS. BOSTON-MASSACHUSETTS.

orz128683 A Scene from 'El Hechizado por Fuerza' (The Forcibly Bewitched) c.1797-1798 - 42,5x30,8 cm - oil on canvas. Author: FRANCISCO DE GOYA. Location: NATIONAL GALLERY. LONDON. ENGLAND. DON CLAUDIO.

orz010033 'The Fair in Madrid', 1779, Oil on canvas, 258 cm x 218 cm, P00779. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. SPAIN.

orz011453 'Aquelarre or The Witches' Sabbath (detail)', 1820-1823, Oil on wall, P00761. Author: FRANCISCO DE GOYA (1746-1828). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.